Gilded gods: the metal craft of Nepal

In every temple, every monastery in Nepal as well as in many private home shrines you will find at least one metal statue of a Hindu or Buddhist deity. These statues vary in size - from a few inches to as tall as 12 feet - but any of them will strike you with beauty, facial expression and exquisite detailed work. Most of them are made from copper, sometimes from bronze or brass and usually gilded (with gold in its purest 24 carat form because gods and deities deserve the best after all), sometimes painted and additionally embellished with semi-precious stones. The earliest extant Nepali cast-copper sculptures date to the 6-8th century. Little has changed since that time as Nepalese artisans has kept the craft alive passing the skills from generation to generation.

Souvenirs from Vietnam: embroidery

If you want to bring a meaningful and beautiful souvenir from Vietnam think about buying an embroidered picture. They are rather costly but one doesn't expect a piece of art to be cheap and those embroideries are indeed works of art. There are many motifs to choose from: animals and still life, landscapes and Vietnamese countryside, portraits and flowers.

Peranakan beadwork

Fragment of a beaded tablecloth, Penang, early 20th century, The Peranakan Museum Singapore 

During my last stay in Singapore a month ago I visited the Peranakan Museum and was really impressed with the amazing examples of Peranakan beadwork. One work was especially memorable: a large (126 x 118 cm) tablecloth made from over a million glass beads, featuring in its design colourful flowers, birds and insects on a turquoise ground. This is the largest known example of Peranakan beadwork in the world. One must visit the museum if only to see this master piece.

Souvenirs from Vietnam: pottery

Though not famous for its high quality, Vietnam ceramics nevertheless are creative and have a sort of rustic beauty different from that of the carefully refined ceramics from some other countries. There is an air of innocent carelessness about them as if the craftsmen who produced them were quite liberal in their creation not relying too much on the rules of symmetry and decoration.

Gem carved sculptures from Hoi An museum

Happy Buddha, garnet

On a picturesque and crowded with tourists street of the Ancient Town of Hoi An there is a small but interesting museum, the Gemstones Art Museum. It was founded in 2013 by a Vietnamese passionate collector. The museum's exhibition is divided into two sections: one showcases natural gemstone crystals and uncut stones and at another more than two hundred pieces of precious stone sculpture are displayed. In terms of quality and rarity of the stones, the variety of the carvings represented the collection has no comparison in Vietnam. Visitors have a unique chance to get to know and enjoy the great artistic and manual skills of Vietnamese craftsmen. Here are a few examples of the gem carving from the museum's collection

Crafts of Burma: kalaga wall hangings

Late 19th century kalaga wall hanging; embroidered wool with silver and gilt threads and sequins, with appliqué of coloured braids, silk and felt fabrics, padded. The Victoria and Albert Museum

Kalagas are traditional beads and metal-thread embroidered pictures that originally were used to decorate the walls of the palaces and the temples, served as a room partitions or as screens hung outside the house on festive occasions. The word "kalaga" literally means "foreign certain" and referrs to the fact that the original idea was imported from Thailand. The art has been practised in Myanmar for well over two hundred years. Kalagas's most distinctive feature is richly decorated, applique figures that are padded to give a soft relief on an ornamented background.

Traditional masks of Nepal

Traditional masks of Nepal can be devided into two sorts: "tribal" masks which belong to the ethnic groups such as Gurung, Magar, Tharu, Rai etc and which are also referred to as "shaman's" masks; and "classical" masks which represent Hindu and Buddhist gods and goddesses.

The classical Nepali masks always represent deities or demons and never the dead or the ancestors. Besides, masks are more often used in processions and in rituals rather than in theatrical performances.

There are three categories of masks: first, masks representing faces of gods which are worn by performers during ritual dances, a second category, masks which serve as ornamental motifs for decorating a temple, a chariot during a procession or a vase used as a ritual object. A third category includes masks in metal or stone representing faces of deities that are worshiped like statues. They are called statue-masks. The metal used for making them are silver, brass or bronze. These masks are often decorated with jewels and when not worshiped they are kept in a wooden box inside the temple.

Traditional pottery of Nepal

Pottery has a long history in Nepali culture. The oldest recorded finds in Lumbini date back at least 2600 years. The large ceramic water pots can be found in almost every village in Nepal which are used to collect, store and transport water. These vessels also keep water cool. Clay goods are also essential to many Hindu and Buddhist religious ceremonies. During pujas small ceramic cups are used to hold candles and butter lamps. Traditional Newari rice wine called aila is made using a special ceramic set-up crafted just for distilling rice or millet alcohol: several clay containers of various sizes are used in conjunction with a large ceramic vessel with holes punched in the bottom. Without this special holed vessel the creation of potent aila would not be possible.

Khon masks of Thailand

Khon masks on display at the Baiyoke Sky Hotel, Bangkok

The khon is a traditional mask play in Thailand which implies the wearing of masks by performers. The story that has been used for staging of the khon is the Ramakien, the Thai version of the Indian epic Ramayana. Staged in its entirety, the Ramakien is an immensely complex story with 138 episodes involving 311 different characters and taking more that 720 hours of continuous performance.
The mask is perhaps the most important characteristic of the khon, for through it more than any other thing else, one distinguishes the variety of roles.

Crafts of Thailand: woodcarving

Wood carved scene from the Ramakien (Ramayana) 

If you are holidaying in Thailand and are seduced to buy one of the tours the local agencies offer I bet among "elephant riding" and "boat market experience" suggestions there will be a visit to a woodcarving centre too. All my photos of beautiful Thai woodcarving objects were made in one such centre near Bangkok.
Thanks to the rich forests that once covered much of territory of Thailand woodcarving became a major craft early in the kingdom's history. Until the late 19th century woodcarving was widely practised and entire temples and palaces were often wooden.
The preferred material for carvers was teak, because of its durability and resistance to insect damage, but other woods were used as well. The colour of the wood was not that important since it was usually gilded, lacquered or adorned with glass mosaics, tinsel or other bright material after carving was completed.

Traditional Thai flower arrangements

Thai flower garlands, photo courtesy edna astronomia-estrada

Thai floral decoration is an art that has been in practice since the early times of history. It makes use not only of flowers but also leaves and branches and some additional materials such as incense sticks or candles. The most common of all the country's floral creations are garlands known as malai. They are made by stringing together various flower combinations that depend on seasonal blooms and the creator's imagination. The mixture, however, will always include one or more fragrant flowers, usually jasmine buds and roses. Garlands range from simple to highly complex and are placed as offerings on shrines, presented to honoured guests and used on many other special occasions.